A daring mix of textures and patterns sets this home apart from the typical rustic abodes in the Hamptons

A Hamptons Home With a Twist
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For many years, Whitney Casey and her tech entrepreneur husband, Nav Sooch, rented a summer house in the Hamptons which belonged to an interior designer. "It had everything you could possibly need," she recalls.

"Everyone would leave and say, ‘What a charming little gem.’" When the couple decided to buy their own property, their vision was clear – to create something every bit as special. The house they discovered is a new-build in a quiet street, close to the heart of Southampton.

At first, Whitney was reluctant because of the home's classic facade but was sold on its convenient location
At first, Whitney was reluctant because of the home's classic facade but was sold on its convenient location

"It’s not my type of exterior because it’s so traditional," admits Whitney, but she was attracted by the location. "You can walk to the grocery store, go to any restaurant, or pick up your deck chair and walk four blocks to the beach." In contrast to the classical facade, she was determined to create a funky interior. To help her, she called upon Los Angeles-based designer Jessica Ayromloo.

A salmon pink door greets guests
A salmon pink door greets guests

"The word that describes Jessica is ‘fresh’ – she can come up with novel ideas," says Whitney. In return, Jessica calls Whitney "a blast. She’s really fun and easy-going," she says. "But, at the same time, she knows what she wants."

A Hamptons Home With a Twist
The guest pavilion is clad in Yangki wallpaper and contrasts with furnishings in playful patterns
The guest pavilion is clad in Yangki wallpaper and contrasts with furnishings in playful patterns

What Whitney wanted most was to avoid a stereotypical Hamptons look. "She didn’t want navy or chequerboard," recalls Jessica. "We wanted things to feel interesting and different." Architecturally, very little was changed; they knocked down a wall on the ground floor to create an uninterrupted view from the front of the house to the back, clad several walls in the kitchen with stainless steel and replaced some built-ins in the library with floating walnut shelves.

A pair of Grand Repos armchairs by Guillerme et Chambron anchor the family room.
A pair of Grand Repos armchairs by Guillerme et Chambron anchor the family room.

One thing Whitney was particularly intent on was having a fleshy-pink front door. "It was something nobody else in the Hamptons had," notes Jessica. It also ended up being the starting point for the earthy, sandy palette inside. "We wanted it to feel coastal, but not in a cliché way," Jessica says. Hand-painted wallpapers, a bold use of pattern, and quirky furnishings give it a singular, glamorous look.

A grand black and white staircase leads up to the second floor
A grand black and white staircase leads up to the second floor
The custom bed is complemented with Maison de Vacances and Kelly Wearstler linens and pillows; the throw is Hermès.
The custom bed is complemented with Maison de Vacances and Kelly Wearstler linens and pillows; the throw is Hermès.
The Denim guestroom is named after its predominantly blue palette, seen in the Cannon/Bullock wallpaper and the indigo Kyle Bunting hide rugs.
The Denim guestroom is named after its predominantly blue palette, seen in the Cannon/Bullock wallpaper and the indigo Kyle Bunting hide rugs.

Each of the different bedrooms not only has its own character, but also a specific name. "Cyrano" was dubbed in honour of the portrait of a large-nosed man behind the bed. The mostly-blue "Denim" room is dominated by a black silhouette that originally began life as a mannequin in a dime-store window. Whitney’s favourite is the pool house. "I would live in there for the rest of my life – if only it had more closet space," she says. 

Mood lighting was very important to Nav; in the dining room, the Agnes chandelier by Lindsey Adelman is coupled with a custom-designed dining table and triangular stools. The abstract artwork is Bronson Caves #3, a C-print from 2010 by Brice Bischoff.
Mood lighting was very important to Nav; in the dining room, the Agnes chandelier by Lindsey Adelman is coupled with a custom-designed dining table and triangular stools. The abstract artwork is Bronson Caves #3, a C-print from 2010 by Brice Bischoff.

Throughout, there are some wonderfully humorous touches, in keeping with Whitney’s playful nature. She jokingly refers to herself as "Half Whit" (although "Witty Whit" might be more apt) and calls their house guests "Sooch Mooches". The postbox out front has a "No Vacancy" sign attached to it, while the library is dominated by a blown-glass and nickel chandelier that bears an uncanny resemblance to condoms and cow udders.

The walls were hand-painted by Jessica and inspired by Céline’s 2014 A/W collection; the chaise longue was a flea market find and reupholstered in Pierre Frey fabric. The artworks by Jenna Snyder Philips
The walls were hand-painted by Jessica and inspired by Céline’s 2014 A/W collection; the chaise longue was a flea market find and reupholstered in Pierre Frey fabric. The artworks by Jenna Snyder Philips
The guest pavilion's Penthouse bedroom is swathed in luxurious fabrics; the bed is from Ironies.
The guest pavilion's Penthouse bedroom is swathed in luxurious fabrics; the bed is from Ironies.

Together, Whitney and Nav spend most summer weekends at the house, often with a bunch of friends. Days generally begin with a wake-up call through a specially installed intercom system. "I’m like, ‘Campers! It’s nine o’clock!’" and I play this kind of trumpet," Whitney says and laughs. "Nobody knows it exists and all of a sudden, I’m coming through the speakers in their bedroom." Strangely, one thing they rarely do is go to the beach. "It’s hilarious, but the pool is always so much fun,” says Whitney. 

Photography by Stephan Juilliard

A version of this article originally appeared in our August 2016 issue. 

Tags: Hamptons
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