The boxy structure is a tribute to American architect Irving Gill and the now-demolished West Hollywood house he built

Inside an Architect’s Incredibly Minimalist Home in Lisbon
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In 1916, West Hollywood, a millionaire had a house built by American architect Irving Gill. It was a house that veered in design from what was typical of its day: symmetrical, with an angled roof. Instead, it was boxy – nothing that would surprise avid home design enthusiasts of today, but was considered progressive then.

Arched windows were characteristic of the home, through which the exterior gardens and landscape would filter in the home’s dose of colour. The plain surfaces, as well, were deliberate, letting light and shifting shadows play a part in the building’s design.

The Dodge House built by Irving Gill in West Hollywood. (Photo: Marvin Rand, courtesy of Leopold Banchini Architects)
The Dodge House built by Irving Gill in West Hollywood. (Photo: Marvin Rand, courtesy of Leopold Banchini Architects)

About a century later and some 5,640 miles away in another part of the world, the Dodge House – named for its first owner, Walter Luther Dodge – would inspire the design of an architect’s 430sqft home.

Boxy in form, the Dodged House sits along a narrow street in the historical Mouraria district of Lisbon, flanked by pastel buildings. Built by Dainel Zamarbide together with Leopold Banchini Architects, the narrow building is home to architect Zamarbide and his family.  

The Dodged House, with the 'd' in the end, is also a reference to the building's opaque façade, an architectural quality concealing a building's interiors that is common in Lisbon. (Photo by Dylan Perrenoud)
The Dodged House, with the 'd' in the end, is also a reference to the building's opaque façade, an architectural quality concealing a building's interiors that is common in Lisbon. (Photo by Dylan Perrenoud)

Four storeys, three bedrooms, two bathrooms, and a study occupy the Dodged House’s upward space, totalling 1,000sqft, all levels combined. The house is characterised by concrete – another reference to Gill’s designs – and floors that stagger upon one another, creating a void the full height of the building that doubles as a repository of light.

The three upper levels stagger upon one another, while light fills the entire structure and glass walls lend residents a view of the living area on the ground level. Photos by Dylan Perrenoud)
The three upper levels stagger upon one another, while light fills the entire structure and glass walls lend residents a view of the living area on the ground level. Photos by Dylan Perrenoud)

Windows along one side of the building channel this light source. The architects, in turn, have utilised curtains and transparent sliding doors to segregate the spaces – particularly the bathrooms – and let light penetrate the far reaches of every floor. As in Gill’s design, light and shadow play a part in Zamarbide’s home.

Arched windows, along with translucent sliding doors and curtains, let light to filter into every room in the house. (Photo by Dylan Perrenoud)
Arched windows, along with translucent sliding doors and curtains, let light to filter into every room in the house. (Photo by Dylan Perrenoud)

Meanwhile, a glass wall traces the end of every floor, giving residents a view of the living area below. At the back, a spiral staircase connects all levels of the home.

The open-plan kitchen, dining and living room on the ground level can be viewed from all upper levels through a glass wall. (Photo by Dylan Perrenoud)
The open-plan kitchen, dining and living room on the ground level can be viewed from all upper levels through a glass wall. (Photo by Dylan Perrenoud)

The ground level is home to an open-plan kitchen, living and dining room, while outside a courtyard is accessed through a pivoting arched door made of glass. 

A pivoting arched door provides access to the courtyard. (Photo by Dylan Perrenoud)
A pivoting arched door provides access to the courtyard. (Photo by Dylan Perrenoud)

All throughout, the minimalistic space is made with locally sourced tiles and marble.

From the marble tabletops to the tiles in the bathroom and the kitchen, the materials used to construct the Dodged House are all sourced locally. (Photo by Dylan Perrenoud)
From the marble tabletops to the tiles in the bathroom and the kitchen, the materials used to construct the Dodged House are all sourced locally. (Photo by Dylan Perrenoud)

In 1970, after an unsuccessful campaign to preserve it, Irving Gill's Dodge House in West Hollywood was demolished. It is remembered today as one of the West’s first truly Modernist houses, a creation to which Leopold Banchini Architects and Daniel Zamarbide's Dodged House in Lisbon pays tribute.

The Dodged House as seen from the courtyard. (Photo by Dylan Perrenoud)
The Dodged House as seen from the courtyard. (Photo by Dylan Perrenoud)

See more: Explore a Minimal, Mid-Century Modern Portuguese Villa

Tags: IrvingGillDodgedHouseLeopoldBanchiniDanielZamarbideHomeToursLisbon
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